One thing I absolutely LOVE about YouTube is all of the old/obscure TV and concert clips you can find. One such gem is this clip from 1966 where Stevie Wonder(at the age of 16!) performs both “Uptight” and “A Place in the Sun” and chats a bit about what it’s like being blind. The recording was done for CKLW, a radio station in Detroit but they must had a studio audience as well.
Music and love are never very far apart. Fran and Marlo Cowan have been married for 62 years and they’re still rocking and rolling. At 90 years old he’s still got the old routine down and is patting his girl on the butt like a cheeky 20 year old.
So I’ve decided to designate Mondays as “New Music Monday” from now on, in accordance with the similar trend all over Twitter. If you can’t beat ‘em – try and cash in on some of the eager music-seeking readers.
Introducing: Passion Pit – the five-man American electro band from Massachusetts has been ALL over the blog circuit lately including sitting atop (or very near) the We Are Hunted Top 99 tracks of the online social sphere. Their first full-length album “Manners” is set to release in two weeks on May 19th and so far most of the hype has surrounded their first single “Reeling” and upcoming single “Little Secrets” for which they are running a remix contest.
To be quite honest, after hearing those two tracks I wasn’t exactly an instant fan. “Little Secrets” has a fun 80′s vibe with a children’s choir and some funky reversed synthy riffs, but the squealing vocals become really grating for me after about one verse. I much prefer some of the remixes that you can hear on the contest page because the music takes the driver’s seat and the vocals are more as added embellishments.
As we near the release date for the album, more songs have leaked and I recently discovered another track from their new album called “Moths Wings.” This track is much more enjoyable for me than their chosen singles. For one, it feels like it has a direction and develops in a way that makes it feel really EPIC. On the flip side of epic is always a little cheese but I don’t think this track leans that way at all.
One criticism I have though is that it feels like its headed for somewhere that it never quite reaches – it builds and builds and never breaks into the section that makes you scream YES! in your head (or perhaps out loud but I’m more of an inner monologue kind of person). Though I’m not terribly fond of their latest efforts, the best example I can think of is Coldplay’s “Fix You.” What would that song have been without the “Tears stream down your face” break?
The vocals stretch for the same screechy high notes but they don’t insist on sitting on them for the whole song and that makes them so much more effective and interesting – making them feel passionate instead of shrill.
Another track of theirs I came across was “Sleepyhead” from their Chunk of Change EP which apparently was everyone’s favorite. Again – not a standout for me. The instrumentation and sampling is really interesting and dancey up front but good GOD I cringed when the vocals finally dropped. They did a similar remix contest with “Sleepyhead” last fall like the one they’re currently doing with “Little Secrets” and I decided to check some of them out to see if they were an improvement on the original. Neo Toyko’s remix was a definite success. It’s funky, playful and uses the vocals more sparingly – or in a better mix with the musical elements so it doesn’t feel so harsh.
With all of the hype surrounding these guys right now, I’m sure there are 7000 people out there that will disagree with me on some of my criticism here, but given what I’ve heard and have liked, I hope there rest of their debut album is more along the lines of “Moths Wings.”
Keep an ear out for the release of Manners on May 19th, and in the meantime you can buy their EP, Chunk of Change, on iTunes and Amazon and preorder Manners on Amazon. Enjoy!
“From the award-winning documentary, “Playing For Change: Peace Through Music”, comes the first of many “songs around the world” being released independently. Featured is a cover of the Ben E. King classic by musicians around the world adding their part to the song as it traveled the globe.”
If you haven’t already seen it, this video is a must-watch. I first saw it when my cousin forwarded it to me and then it appeared on Gizmodo the next day. As someone who lives in Santa Monica and has worked above the 3rd Street Promenade for 2.5 years now, I’m sorry I wasn’t around to see Roger Ridley play his music (the first street musician in the clip), but I’m so glad that it will live on in this documentary.
Purchase the CD/DVD Playing for Change “Songs Around the World” on Amazon and the CD/Music videos on iTunes.
For the first edition of Throwback Thursday I had to go with an old Motown classic – I suppose the “classic” part depends on who you ask but it has always stood out to me.
Off of my much worn out CD compilation “Hitsville USA: The Motown Singles Collection 1959-1971,” comes the song “First I Look At The Purse” by The Contours, released in 1965 and written by Smokey Robinson and fellow Miracles member Bobby Rogers. The Contours are best known for their hit single “Do You Love Me (Now That I Can Dance).”
The song has a funky clap-along groove and absolutely ridiculous/genius lyrics:
“I don’t care if their teeth are big
I don’t care if their legs are thin
I don’t care if their hair’s a wig
Why waste time lookin’ at the waistline?